Oceanic Gothic Poster

72px

Oceanic Gothic

Poster

Исследуется механизм спонтанно возникающих и саморазрушающихся коммуникаций.Исследуется механизм спонтанно возникающих и саморазрушающихся коммуникаций.

48px

Oceanic Gothic

Poster

24px

Oceanic Gothic

Poster

Далее даются описания плачевного положения дел милейшего Карла Яновича, его изношенной одежды, его скитаний по чужим углам. Описываются также и трагикомические приключения с его многострадальной рукописью, т. е. тем единственным, что все еще привязывает его к этой жизниДалее даются описания плачевного положения дел милейшего Карла Яновича, его изношенной одежды, его скитаний по чужим углам. Описываются также и трагикомические приключения с его многострадальной рукописью, т. е. тем единственным, что все еще привязывает его к этой жизни

15px

Oceanic Gothic

Poster

Prince John held his high festival in the Castle of Ashby. This was not the same building of which the stately ruins still interest the traveller, and which was erected at a later period by the Lord Hastings, High Chamberlain of England, one of the first victims of the tyranny of Richard the Third, and yet better known as one of Shakspeare’s characters than by his historical fame. The castle and town of Ashby, at this time, belonged to Roger de Quincy.Prince John held his high festival in the Castle of Ashby. This was not the same building of which the stately ruins still interest the traveller, and which was erected at a later period by the Lord Hastings, High Chamberlain of England, one of the first victims of the tyranny of Richard the Third, and yet better known as one of Shakspeare’s characters than by his historical fame. The castle and town of Ashby, at this time, belonged to Roger de Quincy.

About

Oceanic Gothic was conceived as a sans serif counterpart to the Oceanic and Oceanic Text serif font families aiming to echo the distinctive design elements of individual letters found in Oceanic Display and creating unified typographic personalities. The outcome is a sans serif typeface infused with an engaging and lively character. Oceanic Gothic explores the realm of the first sans serif typefaces from the late 19th to the early 20th centuries. Defined by its charismatic essence, Oceanic Gothic exudes a display type personality while seamlessly adapting to text settings.

Specimen (PDF, 983 KB)

Features

Standard ligatures, case sensitive forms, proportional lining figures, tabular lining figures, ordinals, fractions, denominator, numerator, subscript / inferiors, superscript / superiors, slashed zero, one stylistic set

Languages

Afrikaans, Belarusian, Bulgarian, Catalan, Czech, Danish, Dutch, English, Esperanto, Estonian, Finnish, French, Gaelic (Irish), Galician, German, Hungarian, Icelandic, Italian, Kurdish (lat), Latvian, Lithuanian, Mongolian (lat), Norwegian, Polish, Portuguese, Romanian, Russian, Serbian, Slovene, Spain, Swedish, Turkish, Ukrainian, Uzbek (lat)

Authors

Interval Type

Interval Type is a young Paris-based type foundry that focuses on Latin and Cyrillic scripts. With a dedication to quality over quantity, focus on timeless design and a passion for typographic excellence, we create typefaces that blend tradition with innovation and cater to the multidimensionality and complexity of modern communication.

Codepage

Font in use