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Tomorrow's new typeface: Curbe

Contemporary script with a vintage accent

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Sulliwan Studio: “We are happy to state thatLatin influenza has passed”

Moscow-based Sulliwan Studio took hold of our Instagram last October. We talked to guys about releasing animation daily, the end of the sans serif era in web design, and why they think the future of Cyrillic type is bright.

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Our fonts in Figma plugin

Now you can try fonts from Today and Tomorrow collections without leaving Figma

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Tomorrow's new typeface: Nostra

А kilo of lead and a kilo of feathers by Lucas Descroix on tomorrow.type.today

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Type Digest, January 2020

Russian roots of Hobo the typeface, fashion industry turns to typography, political inclinations of popular fonts, Times New Roman is still the biggest among writers.

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Stratos in use: Gogol Center

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Tanya Ermolaeva: “Bring the punctum in”

In September last year, Tanya Ermolaeva was the person in charge of our Instagram. We talked with Tanya about the text in terms of design, Californian design culture, and the interdictory context of the Cyrillic.

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Philipp Neumeyer: “Nothing will ever get done”

Berlin-based Philipp Neumeyer doesn’t speak any Cyrillic-based languages, but still manages to design a decent, and surprisingly interesting, Cyrillic set. Ilya Ruderman has talked to Neumeyer on accessibility of type design, tolerance and curiosity for the non-perfect things, his favourite Cyrillic characters, and the variety of font licensing issues.

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Manual: Brackets

Angle brackets and <> are not the same thing; brackets happen to be caps — though they are never italic (but don’t quote us on that!). Please welcome the second part of our Manual.

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Type Digest, December 2019

Meme-inspired type by David Rudnick, neural network producing type, type designers on strike, custom type for Russian state and Ukrainian capital city, and 12 more type news of last December.

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