Born in Russia and currently based in France, type designer and art director. Did branding, UX/UI, designed spaces, was into motion design. Was engaged with Volkswagen, Renault, Unilever; worked at Black[Foundry], then launched his own studio. Author of Factor A from today’s storefront and of Stravinsky from tomorrow’s.
At first Oceanic was called Piranha. To get an idea
Oceanic is a typeface of bright personality. Yet you won’t get bored with it right after you use it for the first time, since Oceanic inherits its structures and parameters from modern serifs of the 18-19th centuries. Bright and elegant in display styles, it gets neutral and quiet in text ones and can easily integrate into both classic and modern stories.
What happens if you place American humanist grotesques of the 20th century (such as Lining Gothic) into the world of tech startups of the
Rooftop works great in any size on displays, printed, and even in code (since the collection is also fitted with a mono-spaced font).