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6 styles,
2018

Cera Collection

Cera Stencil

TypeMates, Jakob Runge, improvement of Cyrillics Ilya Ruderman and Yury Ostromentsky

  • Desktop
    $203
  • Web
    $203
  • App
    $820
48px
Cera Stencil ThinCera Stencil Thin
  • Desktop
    $47
  • Web
    $47
  • App
    $188
48px
Cera Stencil LightCera Stencil Light
  • Desktop
    $47
  • Web
    $47
  • App
    $188
48px
Cera Stencil RegularCera Stencil Regular
  • Desktop
    $47
  • Web
    $47
  • App
    $188
48px
Cera Stencil MediumCera Stencil Medium
  • Desktop
    $47
  • Web
    $47
  • App
    $188
48px
Cera Stencil BoldCera Stencil Bold
  • Desktop
    $47
  • Web
    $47
  • App
    $188
48px
Cera Stencil BlackCera Stencil Black
  • Desktop
    $47
  • Web
    $47
  • App
    $188
About

Cera Stencil, with six weights, useful dingbats and arrows, is a steadfast companion for setting clean text and headlines for print, on screen and in multiple languages. Its asymmetric stencilling creates a dynamic tension that emphasises the handwritten origin of the supported scripts.

The Cera Stencil supports the Latin and Cyrillic scripts. With over 980 glyphs per weight, Cera Stencil cares about localised letterforms and has the OpenType features to match.

2015

design: Jakob Runge

2018

Improvement of Cyrillics: Ilya Ruderman and Yury Ostromentsky

Features

Case sensitive forms, standard ligatures, proportional lining figures, proportional oldstyle figures, tabular lining figures, tabular oldstyle figures, ordinals, fractions, denominator, numerator, subscript / inferiors, superscript / superiors, slashed zero, five stylistic sets

Languages

Afrikaans, Azeri (lat), Bashkir, Belarusian, Bulgarian, Catalan, Chechen, Chuvash, Czech, Danish, Dutch, English, Esperanto, Estonian, Finnish, French, Gaelic (Irish), Galician, German, Hungarian, Icelandic, Ingush, Italian, Kazakh, Kurdish (lat), Kyrghiz, Latvian, Lithuanian, Moldavian (cyr), Mongolian (cyr), Mongolian (lat), Norwegian, Polish, Portuguese, Romanian, Russian, Serbian, Slovene, Spain, Swedish, Tadzhik, Tatar, Turkish, Turkmen, Ukrainian, Uzbek (lat)

Authors

TypeMates

TypeMates: a straightforward font foundry.

For years, we — Jakob, Lisa and Nils — have been passionate about type and in 2015 we started working together, from our offices in Munich and Hamburg, as a type foundry.

We don’t believe that typefaces are neutral or purely functional systems for reading, rather that they are a visual language with emotional values. Our aim is to be straightforward in the complex field of type design. We do not want to hype or praise type too much, we want to work together with our clients and partners to deliver good results.

Our practice covers everything, from the tiniest nuance in a logo or piece of lettering to the design of extensive type systems. And whether it’s a beautiful idea, a complex client project with intense technical demands, or we’re just following our investigative TypeMate’s nose — we’re passionate about well-made letterforms delivered to the highest technical standard.

Whether it’s Die Zeit online, Fast Company, Red Bull TV or Lufthansa Magazine, typefaces we designed are used by magazines, newspapers and corporations who set the bar for design.

Jakob Runge

From 2009 Jakob Runge has been fired by letters and type systems. After studying communication design at the University of applied sciences in Würzburg (BA) and then at Muthesius Academy of Fine Arts and Design in Kiel (MA), his master’s project was published as FF Franziska in 2014, and became a successful textface at FontFont.

A new dad, he works in Munich as an independent type and brand designer who specialises in developing typefaces and custom lettering for corporate and editorial design.

Alongside working in the design industry, Jakob is active in typographic education. Along with running numerous workshops at universities in Germany, Switzerland and Austria, he has been a lecturer for typography and type design at FH Münster from 2011. For him, type design is more than the foundation of precise and coherent communication: it’s a passion. twitter, website

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