РУEN
type.today
5 styles,
2020

Fud Grotesk

SemiBold

Ilya Bazhanov

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72px
Fud Grotesk
SemiBold
Вместе получается: «Неделима наша доля. Наша ноша нелегка».Вместе получается: «Неделима наша доля. Наша ноша нелегка».
48px
Fud Grotesk
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The Latin alphabet was used in the earliest Asturian texts. Although the Academia de la Llingua Asturiana published orthographic rules in 1981, different spelling rules are used in Terra de Miranda.The Latin alphabet was used in the earliest Asturian texts. Although the Academia de la Llingua Asturiana published orthographic rules in 1981, different spelling rules are used in Terra de Miranda.
24px
Fud Grotesk
SemiBold
А потом как-то неожиданно присмирел, затих, даже плакать перестал. Но смотреть на него никто не решался. А к ночи куда-то исчез. Искали да так и не нашли…А потом как-то неожиданно присмирел, затих, даже плакать перестал. Но смотреть на него никто не решался. А к ночи куда-то исчез. Искали да так и не нашли…
15px
Fud Grotesk
SemiBold
Prince John held his high festival in the Castle of Ashby. This was not the same building of which the stately ruins still interest the traveller, and which was erected at a later period by the Lord Hastings, High Chamberlain of England, one of the first victims of the tyranny of Richard the Third, and yet better known as one of Shakspeare’s characters than by his historical fame. The castle and town of Ashby, at this time, belonged to Roger de Quincy.Prince John held his high festival in the Castle of Ashby. This was not the same building of which the stately ruins still interest the traveller, and which was erected at a later period by the Lord Hastings, High Chamberlain of England, one of the first victims of the tyranny of Richard the Third, and yet better known as one of Shakspeare’s characters than by his historical fame. The castle and town of Ashby, at this time, belonged to Roger de Quincy.
About

A narrow sans serif, FUD Grotesk was inspired by brutalist architecture and modernist typography. There is a subtle stroke contrast, many inktraps, and even some microserifs (look for them in the main strokes!). Note the closed bowl apertures, exaggerated in the alternate forms, which result in a dense, ornate typeset. Five weights (from Light to Bold), and a large set of discretionary ligatures.

Specimen (PDF, 582 KB)
Features

Case sensitive forms, standard ligatures, discretionary ligatures, tabular lining figures, ordinals, fractions, denominator, numerator, subscript / inferiors, superscript / superiors, four stylistic sets

Languages

Afrikaans, Albanian, Azeri (lat), Belarusian, Bulgarian, Catalan, Chechen, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Finnish, French, Gaelic (Irish), Galician, German, Hungarian, Icelandic, Ingush, Italian, Kazakh, Kurdish (lat), Kyrghiz, Latvian, Lithuanian, Mongolian (cyr), Mongolian (lat), Norwegian, Polish, Portuguese, Romanian, Russian, Serbian, Slovak, Slovene, Spanish, Swedish, Tadzhik, Tatar, Turkish, Turkmen, Ukrainian, Uzbek (lat)

Authors

Ilya Bazhanov

Ilya is an artist, type and graphic designer. His fascination with street art has led him to typography and visual arts. Ilya received a diploma in graphic design from the Russian-British Institute of Management (Chelyabinsk). He graduated from the Faculty of Arts and Design at UJEP (Ústí nad Labem, Czech Republic). During his studies, he studied at the HSD University of Applied Sciences (Düsseldorf, Germany). He is now at the Graduate School of Applied Arts in Prague, UMPRUM, at the font and typography studio. His Thaw font was awarded at the “Modern Cyrillic 2019.” He participated in exhibitions in the Czech Republic, Russia, Poland, and Slovakia.

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