type.today
5 styles,
2021
  • Desktop
    $50
  • Web
    $50
  • App
    $75
72px
Forma DJR Text
Light
The Lifelong Republicans Who Love Bernie SandersThe Lifelong Republicans Who Love Bernie Sanders
48px
Forma DJR Text
Light
The Latin alphabet was used in the earliest Asturian texts. Although the Academia de la Llingua Asturiana published orthographic rules in 1981, different spelling rules are used in Terra de Miranda.The Latin alphabet was used in the earliest Asturian texts. Although the Academia de la Llingua Asturiana published orthographic rules in 1981, different spelling rules are used in Terra de Miranda.
24px
Forma DJR Text
Light
А потом как-то неожиданно присмирел, затих, даже плакать перестал. Но смотреть на него никто не решался. А к ночи куда-то исчез. Искали да так и не нашли…А потом как-то неожиданно присмирел, затих, даже плакать перестал. Но смотреть на него никто не решался. А к ночи куда-то исчез. Искали да так и не нашли…
15px
Forma DJR Text
Light
Покойный А. В. Сутягин: "Бывают ли у вас, Любочка, такие состояния, при которых буквально все, что происходит с вами и вокруг вас – вон старушка – видите? – что-то ищет в сумке, а вон кошка забежала за угол, – что все это исполнено какого-то великого и тайного смысла, который, кажется, сделай лишь малое усилие – и поймешь сразу и навсегда? Что, простите?"Покойный А. В. Сутягин: "Бывают ли у вас, Любочка, такие состояния, при которых буквально все, что происходит с вами и вокруг вас – вон старушка – видите? – что-то ищет в сумке, а вон кошка забежала за угол, – что все это исполнено какого-то великого и тайного смысла, который, кажется, сделай лишь малое усилие – и поймешь сразу и навсегда? Что, простите?"
About

Before it actually appeared on Ross’ webpage, Forma DJR managed to go all the way from being a careful revival of the typeface from 1968 designed by Nebiolo studio to a weather forecast on VRT NWS as well as the covers of fancy magazines.

Apart from the original, Forma DJR cares about the fashion for sans serifs with little letter spacing and rounded angles from the 1960s and the 1970s. For these subtleties not to be lost at very large and very small sizes, Forma comes in five optical sizes, from Micro (less than 8pt) to Banner (from 72pt).

Today Forma DJR offers 25 styles (+ a variable font), each coming with a set of Helvetica-style alternates. (After all, in 1968, Forma was created as an answer to Helvetica, among other things). Cyrillic was drawn by Jovana Jocić.

Features

Ordinals, fractions, denominator, numerator, subscript / inferiors, superscript / superiors, six stylistic sets

Languages

Afrikaans, Belarusian, Bulgarian, Catalan, Chechen, Czech, Danish, Dutch, English, Esperanto, Estonian, Finnish, French, Gaelic (Irish), Galician, German, Hungarian, Icelandic, Ingush, Italian, Kazakh, Kurdish (lat), Kyrghiz, Latvian, Lithuanian, Moldavian (cyr), Mongolian (cyr), Mongolian (lat), Norwegian, Polish, Portuguese, Romanian, Russian, Serbian, Slovene, Spanish, Swedish, Tadzhik, Tatar, Turkish, Turkmen, Ukrainian, Uzbek (lat)

Authors

David Jonathan Ross

David Jonathan Ross is a type designer from LA, graduate of Hampshire College, founder of the artist residence Open Studio and co-curator of an archive of the cursive signs of Los Angeles.

Since May 2017, Ross has been sending one font a month to the Font of the Month’s subscribers, all while sharing the scripts for improving those on GitHub for free. Many of his popular typefaces — such as Fit, Forma, or Roslindale — first appeared precisely in those letters to the members of the Font of the Month.

Jovana Jocic

Jovana Jocic is a type designer & lettering artist from Belgrade, Serbia. After receiving a MA in Type Design at the University of Arts in Belgrade, she graduated from the Type and Media course. Currently Jovana is working as a freelance type designer focusing on Latin and Cyrillic scripts, and providing consultations on Cyrillic. Born and raised in Eastern Europe, Jovana aspires to raise awareness and public knowledge of non-Latin scripts and their role in contemporary design.

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