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3 styles,
2016
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72px
NWT Bodoni
Italic
Или как будто бы кто-то невидимый подкрадется сзади, положит руки тебе на плечи и засмеется таким знакомым смехом, что и слез не сдержатьИли как будто бы кто-то невидимый подкрадется сзади, положит руки тебе на плечи и засмеется таким знакомым смехом, что и слез не сдержать
48px
NWT Bodoni
Italic
Исследуется механизм спонтанно возникающих и саморазрушающихся коммуникаций.Исследуется механизм спонтанно возникающих и саморазрушающихся коммуникаций.
24px
NWT Bodoni
Italic
А потом как-то неожиданно присмирел, затих, даже плакать перестал. Но смотреть на него никто не решался. А к ночи куда-то исчез. Искали да так и не нашли…А потом как-то неожиданно присмирел, затих, даже плакать перестал. Но смотреть на него никто не решался. А к ночи куда-то исчез. Искали да так и не нашли…
15px
NWT Bodoni
Italic
Prince John held his high festival in the Castle of Ashby. This was not the same building of which the stately ruins still interest the traveller, and which was erected at a later period by the Lord Hastings, High Chamberlain of England, one of the first victims of the tyranny of Richard the Third, and yet better known as one of Shakspeare’s characters than by his historical fame. The castle and town of Ashby, at this time, belonged to Roger de Quincy.Prince John held his high festival in the Castle of Ashby. This was not the same building of which the stately ruins still interest the traveller, and which was erected at a later period by the Lord Hastings, High Chamberlain of England, one of the first victims of the tyranny of Richard the Third, and yet better known as one of Shakspeare’s characters than by his historical fame. The castle and town of Ashby, at this time, belonged to Roger de Quincy.
About

NWT Bodoni is based on the letters as drawn in Manuale Tipografico, the book by punch-cutter and publisher Giambattista Bodoni. For Bodoni NWT, only the drawings of 9-12-point letters were used.

NWT Bodoni preserves the traditional features of Modern serifs: a strictly vertical stroke axis for the ovals; high contrast between stems and horizontal strokes; long, thin, unbracketed serifs.

Elena Novoselova, the designer of the face, created it specifically for text sizes. As a result it has lower contrast than existing Cyrillic versions of Bodoni and can be used for long texts. The typesetting is compact and even. Particularly noteworthy are the minuscule figures, the overall rhythm of the italic and the distinctive look of several symbols.

Features

Proportional lining figures, proportional oldstyle figures, standard ligatures, case sensitive forms, tabular lining figures

Languages

Afrikaans, Azeri (cyr), Bashkir, Belarusian, Bulgarian, Chuvash, Czech, Danish, English, Estonian, Finnish, French, Gaelic (Irish), Galician, German, Hungarian, Icelandic, Italian, Kazakh, Kyrghiz, Latvian, Lithuanian, Moldavian (cyr), Mongolian (cyr), Norwegian, Polish, Portuguese, Russian, Serbian, Slovene, Spanish, Swedish, Tadzhik, Tatar, Turkmen, Udmurt, Ukrainian, Uzbek (lat)

Authors

Elena Novoselova

Elena Novoselova is a type designer, graphic artist, and teacher. She studied at Alexander Tarbeev’s type design workshop and later worked as his assistant. Elena now teaches type at the Higher School of Economics’ Art and Design School and freelances working on type projects. She is also the author of Beru Brush, Soyuzmult, Agse and NWT Bodoni typefaces.

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