РУEN
type.today
12 styles,
2020

Factor A

Medium

Ilya Naumoff

  • Desktop
    $72
  • Web
    $72
  • App
    $110
72px
Factor A
Medium
Исследуется механизм спонтанно возникающих и саморазрушающихся коммуникаций.Исследуется механизм спонтанно возникающих и саморазрушающихся коммуникаций.
48px
Factor A
Medium
Исследуется механизм спонтанно возникающих и саморазрушающихся коммуникаций.Исследуется механизм спонтанно возникающих и саморазрушающихся коммуникаций.
24px
Factor A
Medium
Далее даются описания плачевного положения дел милейшего Карла Яновича, его изношенной одежды, его скитаний по чужим углам. Описываются также и трагикомические приключения с его многострадальной рукописью, т. е. тем единственным, что все еще привязывает его к этой жизниДалее даются описания плачевного положения дел милейшего Карла Яновича, его изношенной одежды, его скитаний по чужим углам. Описываются также и трагикомические приключения с его многострадальной рукописью, т. е. тем единственным, что все еще привязывает его к этой жизни
15px
Factor A
Medium
Prince John held his high festival in the Castle of Ashby. This was not the same building of which the stately ruins still interest the traveller, and which was erected at a later period by the Lord Hastings, High Chamberlain of England, one of the first victims of the tyranny of Richard the Third, and yet better known as one of Shakspeare’s characters than by his historical fame. The castle and town of Ashby, at this time, belonged to Roger de Quincy.Prince John held his high festival in the Castle of Ashby. This was not the same building of which the stately ruins still interest the traveller, and which was erected at a later period by the Lord Hastings, High Chamberlain of England, one of the first victims of the tyranny of Richard the Third, and yet better known as one of Shakspeare’s characters than by his historical fame. The castle and town of Ashby, at this time, belonged to Roger de Quincy.
About

Factor A is a functional geometric grotesk, in a sense synthesizing the sans serif designs created in the beginning of the 20th century. Despite the cold geometry specific to this style, Factor A has warmth, thanks to, for example, a double-storey a, or a somewhat classic t. To name a few other font features, it has the same hight for caps and ascenders, low contrast, and a mix of rounded and sharp shapes. It has a large choice of alternates, enabled by the concept of the hand-drawn loop. These alternates can be used to funk up your titles and logos. Factor A can be used at both display and text sizes for branding, web, signage… etc.

Specimen (PDF, 587 KB)
Features

Standard ligatures, fractions, ten stylistic sets

Languages

Afrikaans, Belarusian, Bulgarian, Catalan, Czech, Danish, Dutch, English, Esperanto, Estonian, Finnish, French, Gaelic (Irish), Galician, German, Hungarian, Icelandic, Italian, Kurdish (lat), Latvian, Lithuanian, Mongolian (lat), Norwegian, Polish, Portuguese, Romanian, Russian, Serbian, Slovene, Spain, Swedish, Turkish, Ukrainian, Uzbek (lat)

Authors

Ilya Naumoff

Ilya is an art director and type designer, Russian-born, living in France. He got acquainted with design through music. A friend of his was designing posters for gigs, which inspired Ilya. He worked in branding, spatial and motion design, UX/UI. As of now, he focuses his attention on type design. He was a part of Black[Foundry] type design company, and recently opened his own studio Interval Type. He is also freelancing for design studios in France and Switzerland. Apart from commercial practice, Ilya runs personal musical and design projects.

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