Roslindale gets its unique attitude from the reverberation of sharp serifs against bulbous, round shapes. In her interpretation of DJR’s design for the Cyrillic script, Serbia-based type designer Jovana Jocić has taken Roslindale’s interplay of sharps and rounds to the next level.
Roslindale builds on the model of De Vinne, a quirky oldstyle from 1892 named after the famed 19th-century printer. But while De Vinne was at times a bit blotchy and uneven, Roslindale’s tight spacing and slick curves lean more towards the 1970s interpretations of the style.
Jocić stays true to this visual style and adapts it expertly to the Cyrillic script. From the spikes on the bottom of д to the the curled ball terminals of й, she uses every opportunity to coax the tension out of these disparate shapes. This tension is present in upright and Italic styles, with Bulgarian and Serbian alternates.
The collection includes utilitarian styles as well as Display style that allow for more dramatic flourish. All three optical sizes are available as variable fonts with slant and weight axes.
Small capitals, standard ligatures, proportional lining figures, proportional oldstyle figures, ordinals, fractions, denominator, numerator, subscript / inferiors, superscript / superiors, ten stylistic sets, all small caps
Afrikaans, Belarusian, Bulgarian, Catalan, Chechen, Czech, Danish, Dutch, English, Esperanto, Estonian, Finnish, French, Gaelic (Irish), Galician, German, Hungarian, Icelandic, Ingush, Italian, Kazakh, Kurdish (lat), Kyrghiz, Latvian, Lithuanian, Moldavian (cyr), Mongolian (cyr), Mongolian (lat), Norwegian, Polish, Portuguese, Romanian, Russian, Serbian, Slovene, Spain, Swedish, Tadzhik, Tatar, Turkish, Turkmen, Udmurt, Ukrainian, Uzbek (lat)