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5 styles,
2024
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Согласно Книге рекордов Гиннесса, больше всего букв в алфавите кхмерского языкаСогласно Книге рекордов Гиннесса, больше всего букв в алфавите кхмерского языка
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The Latin alphabet was used in the earliest Asturian texts. Although the Academia de la Llingua Asturiana published orthographic rules in 1981, different spelling rules are used in Terra de Miranda.The Latin alphabet was used in the earliest Asturian texts. Although the Academia de la Llingua Asturiana published orthographic rules in 1981, different spelling rules are used in Terra de Miranda.
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Далее даются описания плачевного положения дел милейшего Карла Яновича, его изношенной одежды, его скитаний по чужим углам. Описываются также и трагикомические приключения с его многострадальной рукописью, т. е. тем единственным, что все еще привязывает его к этой жизниДалее даются описания плачевного положения дел милейшего Карла Яновича, его изношенной одежды, его скитаний по чужим углам. Описываются также и трагикомические приключения с его многострадальной рукописью, т. е. тем единственным, что все еще привязывает его к этой жизни
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Prince John held his high festival in the Castle of Ashby. This was not the same building of which the stately ruins still interest the traveller, and which was erected at a later period by the Lord Hastings, High Chamberlain of England, one of the first victims of the tyranny of Richard the Third, and yet better known as one of Shakspeare’s characters than by his historical fame. The castle and town of Ashby, at this time, belonged to Roger de Quincy.Prince John held his high festival in the Castle of Ashby. This was not the same building of which the stately ruins still interest the traveller, and which was erected at a later period by the Lord Hastings, High Chamberlain of England, one of the first victims of the tyranny of Richard the Third, and yet better known as one of Shakspeare’s characters than by his historical fame. The castle and town of Ashby, at this time, belonged to Roger de Quincy.
About

The industrial background of the early 20th century typography gave Struve its well-adjusted underlying proportions and robust appearance. Struve preserves the dust of locomotive plates, reworking it into a consistent design approach.

Most of Struve’s alternative forms were found by examining various kinds of early 20th-century typographic ephemera. The designs made by artists, typographers, and even writers of that time were carefully analysed, reinvented, and turned into a clear system of stylistic sets.

Struve supports many minority languages such as Pintupi-Luritja used in the Australian deserts, Záparo spoken in Peru, Chickasaw, native to the indigenous people of the Southeastern Woodlands of the United States, and the Yukaghir languages found in the Russian Far East.

Features

Case sensitive forms, standard ligatures, contextual ligatures, discretionary ligatures, proportional lining figures, tabular lining figures, ordinals, fractions, denominator, numerator, subscript / inferiors, superscript / superiors, slashed zero, nine stylistic sets

Languages

Abkhazian, Afrikaans, Albanian, Azeri (cyr), Azeri (lat), Bashkir, Belarusian, Bulgarian, Catalan, Chechen, Chuvash, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Finnish, French, Gaelic (Irish), Galician, German, Hungarian, Icelandic, Ingush, Italian, Kazakh, Kurdish (lat), Kyrghiz, Latvian, Lithuanian, Moldavian (cyr), Mongolian (cyr), Mongolian (lat), Norwegian, Polish, Portuguese, Romanian, Russian, Serbian, Slovak, Slovene, Spanish, Swedish, Tadzhik, Tatar, Turkish, Turkmen, Udmurt, Ukrainian, Uzbek (Cyr), Uzbek (lat), and others

Authors

Schrift Foundry

Schrift Foundry started from more than a decade of experience in typography and publishing at Schrift Publishers, founded by Eugene Yukechev and Rustam Gabbasov in 2013. Over the years, Schrift Publishers released dozens of publications on typography and the art of type. Among their notable book releases are monographs on Solomon Telingater, Vladimir Favorsky, Adrian Frutiger, Villu Toots, and a translation of Eric Gill’s “An Essay on Typography”.

In 2020, Schrift Foundry was established with the arrival of Dmitry Pilikov, marking a new phase in their work and bringing a more focused, systematic approach to type production. By now, the foundry offered a diverse collection of fonts and provided custom type production for a wide range of customers. Their typefaces are designed to balance form and function, whether for book layouts or large-scale media projects.

Schrift Foundry approaches typography as both an art and a craft. Their designs reflect a curiosity of how people engage with text, resulting in fonts that are not only visually appealing but also practical and reliable across different contexts.

Eugene Yukechev

Eugene obtained a degree in philology and graduated from the British Higher School of Art and Design’s Type and Typography programme. He pursued further education at the Plantin Institute of Typography in Antwerp. In 2013, he founded Schrift Publishers, a publishing house with an extensive editorial programme and an online periodical called Type Journal. In 2024, together with partners from Schrift Publishers, Eugene launched a type design studio, the Schrift Foundry.

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