Oceanic Grotesk Poster

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Oceanic Grotesk

Poster

А это я в трусах и в майке под одеялом с головой бегу по солнечной лужайке, и мой сурок со мнойА это я в трусах и в майке под одеялом с головой бегу по солнечной лужайке, и мой сурок со мной

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Oceanic Grotesk

Poster

Исследуется механизм спонтанно возникающих и саморазрушающихся коммуникаций.Исследуется механизм спонтанно возникающих и саморазрушающихся коммуникаций.

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Oceanic Grotesk

Poster

Далее даются описания плачевного положения дел милейшего Карла Яновича, его изношенной одежды, его скитаний по чужим углам. Описываются также и трагикомические приключения с его многострадальной рукописью, т. е. тем единственным, что все еще привязывает его к этой жизниДалее даются описания плачевного положения дел милейшего Карла Яновича, его изношенной одежды, его скитаний по чужим углам. Описываются также и трагикомические приключения с его многострадальной рукописью, т. е. тем единственным, что все еще привязывает его к этой жизни

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Oceanic Grotesk

Poster

Prince John held his high festival in the Castle of Ashby. This was not the same building of which the stately ruins still interest the traveller, and which was erected at a later period by the Lord Hastings, High Chamberlain of England, one of the first victims of the tyranny of Richard the Third, and yet better known as one of Shakspeare’s characters than by his historical fame. The castle and town of Ashby, at this time, belonged to Roger de Quincy.Prince John held his high festival in the Castle of Ashby. This was not the same building of which the stately ruins still interest the traveller, and which was erected at a later period by the Lord Hastings, High Chamberlain of England, one of the first victims of the tyranny of Richard the Third, and yet better known as one of Shakspeare’s characters than by his historical fame. The castle and town of Ashby, at this time, belonged to Roger de Quincy.

About

The idea behind Oceanic Grotesk was to design a modern sans serif companion to Oceanic and Oceanic Text, staying away from copying the original design decisions from serif to sans. While Oceanic serif draws inspiration from 18th and 19th-century fat faces, Oceanic Grotesk is an exploration of the Modernist approach to typography and graphic design of the mid-20th century. Guided by neutrality and simplicity as core values, Oceanic Grotesk is a trustworthy and versatile workhorse type family. Oceanic Grotesk is an ideal match for Oceanic and Oceanic Text, as it is set to the same vertical metrics and they can easily be used together.

Specimen (PDF, 983 KB)

Features

Case sensitive forms, standard ligatures, proportional lining figures, tabular lining figures, ordinals, fractions, denominator, numerator, subscript / inferiors, superscript / superiors, slashed zero, one stylistic set

Languages

Afrikaans, Belarusian, Bulgarian, Catalan, Chechen, Czech, Danish, Dutch, English, Esperanto, Estonian, Finnish, French, Gaelic (Irish), Galician, German, Hungarian, Icelandic, Ingush, Italian, Kazakh, Kurdish (lat), Kyrghiz, Latvian, Lithuanian, Mongolian (cyr), Mongolian (lat), Norwegian, Polish, Portuguese, Romanian, Russian, Serbian, Slovene, Spanish, Swedish, Tadzhik, Tatar, Turkish, Turkmen, Ukrainian, Uzbek (Cyr), Uzbek (lat)

Authors

Interval Type

Interval Type is a young Paris-based type foundry that focuses on Latin and Cyrillic scripts. With a dedication to quality over quantity, focus on timeless design and a passion for typographic excellence, we create typefaces that blend tradition with innovation and cater to the multidimensionality and complexity of modern communication.

Codepage

Font in use