CSTM Fonts, Daria Karpenko, Yury Ostromentsky, Ilya Ruderman
Loos is a closed-aperture sans serif with an impressive amount of styles: from Compressed to Extended, from Thin to Black. Simple yet distinctive structures, a slight stroke-contrast, generous counters and sidebearings make the typeface much friendlier than you might think it is when you first see it — it is indeed austere, but with a great sense of humour and its own particular voice.
Loos’ important feature is that it comes with the inktraps that actually do trap the ink. In fat weights, acute angles are softened, while in thin ones stroke connections are significantly thickened — in both cases this brings a tangible, analogue feeling into the typeset text.
The visual idea for the typeface grew out of a cover lettering for Adolf Loos’ book ‘Why a Man Should be Well-Dressed: Appearances Can be Revealing’ (Strelka Press, Moscow, 2016). And even though there is not much left from the original graphics, the name is still relevant — Loos gets back to modernist roots, all while keeping in mind the experience of the past century.
Beyond Latin and Cyrillic, Loos boasts supporting Georgian script. We offer four licensing options for Loos: you can purchase Latin and Cyrillic, Latin and Georgian, only Georgian set, or the all three script options. Advisers on Georgian — Alexander Sukiasov and Lasha Giorgadze.
Case sensitive forms, standard ligatures, proportional lining figures, proportional oldstyle figures, tabular lining figures, tabular oldstyle figures, fractions, two stylistic sets, contextual ligatures, slashed zero
Afrikaans, Albanian, Azeri (lat), Catalan, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Finnish, French, Gaelic (Irish), Galician, Georgian, German, Hungarian, Icelandic, Italian, Kurdish (lat), Latvian, Lithuanian, Mongolian (lat), Norwegian, Polish, Portuguese, Romanian, Slovak, Slovene, Spanish, Swedish, Turkish, Uzbek (lat)