Fluxetype is a collection that exists at the intersection of humanist sans and serifless roman. The first Fluxetype letters were cut out of paper, taken into separate pieces, and then reassembled. Moving and shifting pieces, Nikita Kanarev explored the mechanics of variability transferred from the digital world to the analogue one. The graphic concept of the typeface was born as a result of this practice.
In Fluxetype, form and counterform interlock according to the logic of a so-called dovetail joint used in woodworking. The two parts fit into one another so well that the shape itself keeps the entire structure together — requiring neither glue nor nails.
Fluxetype Title works great in, for example, a heading, subheading or a pull quote. The family offers three x-height options (Petite — 70% of the cap height, Standard — 74%, and Grande — 78%) and a weight range from Thin to Black.
Case sensitive forms, standard ligatures, proportional lining figures, proportional oldstyle figures, tabular lining figures, tabular oldstyle figures, ordinals, fractions, denominator, numerator, subscript / inferiors, superscript / superiors, five stylistic sets
Afrikaans, Belarusian, Bulgarian, Catalan, Czech, Danish, Dutch, English, Esperanto, Estonian, Finnish, French, Gaelic (Irish), Galician, German, Hungarian, Icelandic, Italian, Kurdish (lat), Latvian, Lithuanian, Mongolian (lat), Norwegian, Polish, Portuguese, Romanian, Russian, Serbian, Slovene, Spanish, Swedish, Turkish, Ukrainian, Uzbek (lat)