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type.today
12 styles,
2022
  • Desktop
    $468
  • Web
    $468
  • App
    $700
48px
Canela Deck ThinCanela Deck Thin
  • Desktop
    $72
  • Web
    $72
  • App
    $108
  • Desktop
    $72
  • Web
    $72
  • App
    $108
48px
Canela Deck LightCanela Deck Light
  • Desktop
    $72
  • Web
    $72
  • App
    $108
  • Desktop
    $72
  • Web
    $72
  • App
    $108
48px
Canela Deck RegularCanela Deck Regular
  • Desktop
    $72
  • Web
    $72
  • App
    $108
  • Desktop
    $72
  • Web
    $72
  • App
    $108
48px
Canela Deck MediumCanela Deck Medium
  • Desktop
    $72
  • Web
    $72
  • App
    $108
  • Desktop
    $72
  • Web
    $72
  • App
    $108
48px
Canela Deck BoldCanela Deck Bold
  • Desktop
    $72
  • Web
    $72
  • App
    $108
  • Desktop
    $72
  • Web
    $72
  • App
    $108
48px
Canela Deck BlackCanela Deck Black
  • Desktop
    $72
  • Web
    $72
  • App
    $108
  • Desktop
    $72
  • Web
    $72
  • App
    $108
About

Canela Collection began as an interpretation of Caslon, but gradually was taken in a new and unexpected direction, shedding its serifs and leaving only vestigial flaring at the ends of strokes, taking on a monumental quality influenced by the author’s experience with stone carving. Canela is a graceful display typeface that defies many of the traditional classifications. Its forms are in an ambiguous space between sans and serif, both soft and sharp, modern yet with roots in the classical. Canela debuted in issue 5 of fashion and art magazine Document Journal in 2014 and after that appeared on music album covers, Future Affairs 2019 conference identity and on an Italian Scooter Museum website. Canela Deck is optimized for the “middle sizes”: subheads and pull quotes in editorial layouts, and all but the largest display sizes on the web. It works well at 20–48pt

Features

Case sensitive forms, standard ligatures, proportional lining figures, proportional oldstyle figures, tabular lining figures, tabular oldstyle figures, ordinals, fractions, denominator, numerator, subscript / inferiors, superscript / superiors, ten stylistic sets

Languages

Afrikaans, Azeri (cyr), Azeri (lat), Bashkir, Belarusian, Bulgarian, Catalan, Chechen, Chuvash, Czech, Danish, Dutch, English, Esperanto, Estonian, Finnish, French, Gaelic (Irish), Galician, German, Hungarian, Icelandic, Ingush, Italian, Kazakh, Kurdish (lat), Kyrghiz, Latvian, Lithuanian, Moldavian (cyr), Mongolian (cyr), Mongolian (lat), Norwegian, Polish, Portuguese, Romanian, Russian, Serbian, Slovene, Spain, Swedish, Tadzhik, Tatar, Turkish, Turkmen, Ukrainian, Uzbek (lat)

Authors

Miguel Reyes

Miguel Reyes, originally from Puebla, Mexico, studied graphic design at Benemérita Universidad Autónoma and type design at the TypeMedia course at KABK before joining Commercial Type in the beginning of 2013. His work has been honored by the New York Type Directors Club, the Latin American Biennial of Typography, and the Fine Press Book Association.

Commercial Type

Based in New York and London, Commercial Type is a joint venture between Paul Barnes and Christian Schwartz, who have collaborated since 2004 on various typeface projects, most notably the award winning Guardian Egyptian. The company publishes retail fonts developed by Barnes and Schwartz, their staff, and outside collaborators, and also represents the two and their team when they work together on type design projects. Following the redesign of The Guardian, the team headed by Mark Porter, including Barnes and Schwartz, was awarded the coveted Black Pencil by the D&AD. The team was also nominated for the Design Museum’s “Designer of the Year” prize. In September 2006, Barnes and Schwartz were named two of the 40 most influential designers under 40 in Wallpaper*.

Ilya Ruderman

Ilya is a type and graphic designer and teacher, lives and works in Barcelona. He is a graduate of the Moscow State University of the Printing Arts (2002), where his graduation project was done under the supervision of Alexander Tarbeev. He has a MA degree in type design from the Type & Media program at the Royal Academy of Art in the Hague (2005). After completing the program, he returned to Moscow, where he has collaborated for a number of media: Kommersant, Afisha, Moskovskiye Novosti, Bolshoi Gorod and Men’s Health Russia. In 2005-2007 he was art director for Afisha’s city guidebooks, following which he was art director for RIA-Novosti, a news agency, for several years. In 2007–2015 he has also supervised the curriculum in type and typography at the British Higher School of Art and Design in Moscow. He has been very active as a consultant on Cyrillic since 2008. In 2014 he founded CSTM Fonts with Yury Ostromentsky.

Typefaces by Ilya Ruderman: BigCity Grotesque Pro, Kazimir, Kazimir Text, Navigo, Permian (a typeface-brand for the city of Perm) and Cyrillic versions of: Austin, Dala Floda, Graphik, Marlene, Moscow Sans (as a consultant), Typonine Sans, Thema.

CSTM Fonts

Ilya Ruderman and Yury Ostromentsky (CSTM Fonts)

They are both graphic and type designers. Founders of CSTM Fonts (2014) type foundry and a new font distributor type.today (2016).

Graduated from Moscow State University of Print (Graphic Design Department), where they took Alexander Tarbeev’s classes. Later Ilya Ruderman graduated from Type & Media (Royal Academy of Art), the Hague, the Netherlands. After graduation he was a tutor of Type&Typography course at British Higher School of Art and Design, Moscow (2008-2015), was an art-director of information agency RIA Novosti. He is an author of cyrillic versions of such typeface as Lava, Graphik, Neutraface and others, that was made for such studios as Typotheque, Commercial Type, Typonine and House Industries. He is an author of: Permian typeface, Big City Grotesque and several other corporate typefaces.

Before 2013 Yury Ostromentsky worked mostly as an editorial designer and art-director of BigCity Magazine, where he used his personal lettering, that was the base of the Pilar typeface, released by CSTM Fonts last year. He is an author of several book series designs and logotypes.

Both typefaces of Ilya Ruderman and Yury Ostromentsky were the winners of such type design competitions as Modern Cyrillic 2009, Modern Cyrillic 2014, Granshan 2011, European Design Award 2012. Kazimir typeface and Tele2 Typefamily, the CSTM Fonts’s latest releases, were among the winners of Granshan 2015.

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