type.today
12 styles,
2025
Family (12 styles)
+ variable font
You’ll get variable font for free if you buy the full family license
  • Desktop
    $336.00
  • Web
    $336.00
  • App
    $504.00

Variable

48px
Алфавит отличается от пиктографического письма, где знаки обозначают понятия
  • Desktop
    $366.00
  • Web
    $366.00
  • App
    $549.00
Weight
Алфавит отличается от пиктографического письма, где знаки обозначают понятия

Variable Italic

48px
Алфавит отличается от пиктографического письма, где знаки обозначают понятия
  • Desktop
    $366.00
  • Web
    $366.00
  • App
    $549.00
Weight
Алфавит отличается от пиктографического письма, где знаки обозначают понятия
48px
Yuni Grotesque HairYuni Grotesque Hair
  • Desktop
    $60.00
  • Web
    $60.00
  • App
    $90.00
  • Desktop
    $60.00
  • Web
    $60.00
  • App
    $90.00
  • Desktop
    $60.00
  • Web
    $60.00
  • App
    $90.00
  • Desktop
    $60.00
  • Web
    $60.00
  • App
    $90.00
48px
Yuni Grotesque LightYuni Grotesque Light
  • Desktop
    $60.00
  • Web
    $60.00
  • App
    $90.00
  • Desktop
    $60.00
  • Web
    $60.00
  • App
    $90.00
  • Desktop
    $60.00
  • Web
    $60.00
  • App
    $90.00
  • Desktop
    $60.00
  • Web
    $60.00
  • App
    $90.00
48px
Yuni Grotesque BoldYuni Grotesque Bold
  • Desktop
    $60.00
  • Web
    $60.00
  • App
    $90.00
  • Desktop
    $60.00
  • Web
    $60.00
  • App
    $90.00
48px
Yuni Grotesque BlackYuni Grotesque Black
  • Desktop
    $60.00
  • Web
    $60.00
  • App
    $90.00
  • Desktop
    $60.00
  • Web
    $60.00
  • App
    $90.00
About

Yuni Grotesque’s curves are playful and highly suggestive. While weight transforms counters into almost-circular rounds, outer curves take a flatter approach. Bringing these two approaches together results in a blend, a beautiful bouquet of high-functioning foolishness. Separated from its serifed sibling — which played with the distribution of serifs, balls, historical references, and the same curvature — Yuni Grotesque fashions a fully-fledged life of its own while keeping a close kinship alive. In six finely curated steps, its weight range covers everything you need, from a flimsy Hair or an advantageous Medium, all the way to a thick and sturdy Black. Additionally, Yuni parades speed and confidence with Italic styles heavily sloped at an expressive 18° angle. This compressed powerhouse of 12 styles plays for keeps and is best suited for everything grand and mighty: intricate branding, sophisticated layouts, oversized movie titles, or inflatable event signage you can see from space. Steep accents, multiple figure sets (circled ones included), a finely selected collection of arrows, and OpenType features like case-sensitive punctuation, contextual alternate forms, and alternative highlights for dynamic typesetting are some of the typographic extras Yuni can use to cater to your heart’s desire.

Features

Case sensitive forms, standard ligatures, contextual ligatures, proportional lining figures, proportional oldstyle figures, tabular lining figures, tabular oldstyle figures, fractions, denominator, numerator, subscript / inferiors, superscript / superiors, slashed zero, nine stylistic sets

Languages

Afrikaans, Azeri (cyr), Azeri (lat), Belarusian, Bulgarian, Catalan, Chechen, Czech, Danish, Dutch, English, Esperanto, Estonian, Finnish, French, Gaelic (Irish), Galician, German, Hungarian, Icelandic, Ingush, Italian, Kazakh, Kurdish (lat), Kyrghiz, Latvian, Lithuanian, Moldavian (cyr), Mongolian (cyr), Mongolian (lat), Norwegian, Polish, Portuguese, Romanian, Russian, Serbian, Slovene, Spanish, Swedish, Tadzhik, Tatar, Turkish, Turkmen, Ukrainian, Uzbek (lat)

Authors

TypeMates

TypeMates: a straightforward font foundry.

For years, we — Jakob, Lisa and Nils — have been passionate about type and in 2015 we started working together, from our offices in Munich and Hamburg, as a type foundry.

We don’t believe that typefaces are neutral or purely functional systems for reading, rather that they are a visual language with emotional values. Our aim is to be straightforward in the complex field of type design. We do not want to hype or praise type too much, we want to work together with our clients and partners to deliver good results.

Our practice covers everything, from the tiniest nuance in a logo or piece of lettering to the design of extensive type systems. And whether it’s a beautiful idea, a complex client project with intense technical demands, or we’re just following our investigative TypeMate’s nose — we’re passionate about well-made letterforms delivered to the highest technical standard.

Whether it’s Die Zeit online, Fast Company, Red Bull TV or Lufthansa Magazine, typefaces we designed are used by magazines, newspapers and corporations who set the bar for design.

Philipp Neumeyer

Philipp was born and raised in the flat heart of Northern Germany. He graduated from the Muthesius Academy of Fine Arts and Design in Kiel before completing the post graduate Type Media course at the Koninklijke Academie van Beeldende Kunsten in The Hague. After some back and forth between Berlin and Copenhagen, and working for LucasFonts and Playtype, Philipp settled in Berlin where he creates custom and retail typefaces as Rüdiger.

Codepage