РУEN
type.today
18 styles,
2025

Opague

Bold Italic

Philipp Neumeyer

  • Desktop
    $90.00
  • Web
    $90.00
  • App
    $180.00
72px
Opague
Bold Italic
The Lifelong Republicans Who Love Bernie SandersThe Lifelong Republicans Who Love Bernie Sanders
48px
Opague
Bold Italic
The Latin alphabet was used in the earliest Asturian texts. Although the Academia de la Llingua Asturiana published orthographic rules in 1981, different spelling rules are used in Terra de Miranda.The Latin alphabet was used in the earliest Asturian texts. Although the Academia de la Llingua Asturiana published orthographic rules in 1981, different spelling rules are used in Terra de Miranda.
24px
Opague
Bold Italic
Далее даются описания плачевного положения дел милейшего Карла Яновича, его изношенной одежды, его скитаний по чужим углам. Описываются также и трагикомические приключения с его многострадальной рукописью, т. е. тем единственным, что все еще привязывает его к этой жизниДалее даются описания плачевного положения дел милейшего Карла Яновича, его изношенной одежды, его скитаний по чужим углам. Описываются также и трагикомические приключения с его многострадальной рукописью, т. е. тем единственным, что все еще привязывает его к этой жизни
15px
Opague
Bold Italic
Prince John held his high festival in the Castle of Ashby. This was not the same building of which the stately ruins still interest the traveller, and which was erected at a later period by the Lord Hastings, High Chamberlain of England, one of the first victims of the tyranny of Richard the Third, and yet better known as one of Shakspeare’s characters than by his historical fame. The castle and town of Ashby, at this time, belonged to Roger de Quincy.Prince John held his high festival in the Castle of Ashby. This was not the same building of which the stately ruins still interest the traveller, and which was erected at a later period by the Lord Hastings, High Chamberlain of England, one of the first victims of the tyranny of Richard the Third, and yet better known as one of Shakspeare’s characters than by his historical fame. The castle and town of Ashby, at this time, belonged to Roger de Quincy.
About

Opague is a synthetically distilled postmodern geometric sans. Its geometry and apertures are a negotiation of historical references and an insatiable appetite for brutal simplicity. Opague’s character is shaped by a circular O and enforced horizontal lines composed by the apertures and middle height.

Opague forces itself into the spaces where it’s needed. Whether on takeaway lightbox menus or sophisticated wine lists, intricate interface designs or plain headlines, overarching movie titles or closing credits, vast record covers or intimate lyric sheets; Opague is at the service of your everyday design needs.

The family contains a wide range of nine weights, each with a corresponding italic plus a variable font. Opague supports Greek, Cyrillic, and Latin script. Additionally, it’s brimming with typographic tools: arrows, symbols, shapes, additional brackets, all kinds of stylistic sets and contextual alternates, case-sensitive punctuation and a countless amount of sets of figures.

Specimen (PDF, 1 MB)
Features

Case sensitive forms, contextual ligatures, standard ligatures, proportional lining figures, proportional oldstyle figures, tabular lining figures, tabular oldstyle figures, ordinals, fractions, denominator, numerator, subscript / inferiors, superscript / superiors, slashed zero, ten stylistic sets

Languages

Afrikaans, Azeri (cyr), Azeri (lat), Belarusian, Bulgarian, Catalan, Chechen, Czech, Danish, Dutch, English, Esperanto, Estonian, Finnish, French, Gaelic (Irish), Galician, German, Greek, Hungarian, Icelandic, Ingush, Italian, Kazakh, Kurdish (lat), Kyrghiz, Latvian, Lithuanian, Moldavian (cyr), Mongolian (cyr), Mongolian (lat), Norwegian, Polish, Portuguese, Romanian, Russian, Serbian, Slovene, Spanish, Swedish, Tadzhik, Tatar, Turkish, Turkmen, Ukrainian, Uzbek (lat)

Authors

Philipp Neumeyer

Philipp Neumeyer was born and raised in the high mountains of Northern Germany. He graduated from the Muthesius Kunsthochschule (Academy of Fine Arts and Design) in Kiel before completing the postgraduate Type and Media course at the Koninklijke Academie van Beeldende Kunsten in The Hague. After some back and forth between Berlin and Copenhagen and working for LucasFonts and Playtype, Philipp settled in Berlin where he creates custom and retail typefaces as an independent type designer. Author of Theodor, Arnold, Rainer, and Norbert.

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