Gregory

72px

Gregory Grotesk

Regular

А это я в трусах и в майке под одеялом с головой бегу по солнечной лужайке, и мой сурок со мнойА это я в трусах и в майке под одеялом с головой бегу по солнечной лужайке, и мой сурок со мной

24px

Gregory Grotesk

Bold

Далее даются описания плачевного положения дел милейшего Карла Яновича, его изношенной одежды, его скитаний по чужим углам. Описываются также и трагикомические приключения с его многострадальной рукописью, т. е. тем единственным, что все еще привязывает его к этой жизниДалее даются описания плачевного положения дел милейшего Карла Яновича, его изношенной одежды, его скитаний по чужим углам. Описываются также и трагикомические приключения с его многострадальной рукописью, т. е. тем единственным, что все еще привязывает его к этой жизни

New

Gregory Grotesk Condensed8 styles

from $55.00

72px

Gregory Grotesk Condensed

Regular

Согласно Книге рекордов Гиннесса, больше всего букв в алфавите кхмерского языкаСогласно Книге рекордов Гиннесса, больше всего букв в алфавите кхмерского языка

24px

Gregory Grotesk Condensed

Bold

Acabáronse las vísperas, y la fiesta de Santa Ana, y quedó Preciosa algo cansada; pero tan celebrada de hermosa, de aguda y de discreta, y de bailadora, que a corrillos se hablaba della en toda la Corte. De allí a quince días volvió a Madrid con otras tres muchachas, con sonajas y con un baile nuevo, todas apercebidas de romances y de cantarcillos alegres, pero todos honestos. Pusiéronse a bailar a la sombra en la calle de Toledo, y de los que las venían siguiendo se hizo luego un gran corro; y en tanto que bailaban.Acabáronse las vísperas, y la fiesta de Santa Ana, y quedó Preciosa algo cansada; pero tan celebrada de hermosa, de aguda y de discreta, y de bailadora, que a corrillos se hablaba della en toda la Corte. De allí a quince días volvió a Madrid con otras tres muchachas, con sonajas y con un baile nuevo, todas apercebidas de romances y de cantarcillos alegres, pero todos honestos. Pusiéronse a bailar a la sombra en la calle de Toledo, y de los que las venían siguiendo se hizo luego un gran corro; y en tanto que bailaban.

New

Gregory Variable1 style

from $852.00

72px

Gregory Variable

Variable

Исследуется механизм спонтанно возникающих и саморазрушающихся коммуникаций.Исследуется механизм спонтанно возникающих и саморазрушающихся коммуникаций.

New

Gregory Grotesk Compressed8 styles

from $55.00

72px

Gregory Grotesk Compressed

Regular

24px

Gregory Grotesk Compressed

Bold

Der Herausgeber versprach, sein Bestes zu tun für den schriftstellerischen Kollegen. Etwas verwunderlich wollt es ihm nun wohl bedünken, als sein Freund ihm gestand, daß das Manuskript von einem Kater, Murr geheißen, herrühre, und dessen Lebensansichten enthalte; das Wort war jedoch gegeben, und da der Eingang der Historie ihm ziemlich gut stilisiert schien, so lief er sofort, mit dem Manuskript in der Tasche.Der Herausgeber versprach, sein Bestes zu tun für den schriftstellerischen Kollegen. Etwas verwunderlich wollt es ihm nun wohl bedünken, als sein Freund ihm gestand, daß das Manuskript von einem Kater, Murr geheißen, herrühre, und dessen Lebensansichten enthalte; das Wort war jedoch gegeben, und da der Eingang der Historie ihm ziemlich gut stilisiert schien, so lief er sofort, mit dem Manuskript in der Tasche.

New

Gregory Poster15 styles

from $55.00

72px

Gregory Poster

Regular

Вместе получается: «Неделима наша доля. Наша ноша нелегка».Вместе получается: «Неделима наша доля. Наша ноша нелегка».

About

Gregory is a collection of four typefaces — one serif and three sans serifs. The serif, Gregory Poster, echoes the quirkiness of vintage book cover lettering. It embraces an enticing mix of spiky and soft qualities across all styles, from Thin to XBold. The sans serifs — Gregory Grotesk, Gregory Grotesk Condensed, and Gregory Grotesk Compressed — reimagine wood type printing, bringing a handmade patina to otherwise sterile digital environments. Together, they form a quirky system of 24 individual styles, all united in a single, agile Variable Font with weight and width axes. The Gregory collection supports Latin, Cyrillic, and Greek scripts. Each typeface includes multiple sets of numerals, arrows, and even a set of emojis.

Features

Case sensitive forms, standard ligatures, contextual ligatures, proportional lining figures, proportional oldstyle figures, tabular lining figures, tabular oldstyle figures, ordinals, fractions, denominator, numerator, subscript / inferiors, superscript / superiors, slashed zero, ten stylistic sets

Languages

Afrikaans, Azeri (cyr), Azeri (lat), Belarusian, Bulgarian, Catalan, Chechen, Czech, Danish, Dutch, English, Esperanto, Estonian, Finnish, French, Gaelic (Irish), Galician, German, Greek, Hungarian, Icelandic, Ingush, Italian, Kazakh, Kurdish (lat), Kyrghiz, Latvian, Lithuanian, Moldavian (cyr), Mongolian (cyr), Mongolian (lat), Norwegian, Polish, Portuguese, Romanian, Russian, Serbian, Slovene, Spanish, Swedish, Tadzhik, Tatar, Turkish, Turkmen, Ukrainian, Uzbek (lat)

Authors

Antonia Cornelius

Antonia’s enthusiasm for type was awakened early on in her studies at HAW Hamburg by Jovica Veljović. With a focus on typography and type design, she’s pursued a fundamental question ever since: when designing and using typefaces, what influences the reading experience? The first result of her research was her book: ‘The letters in my head: What creatives should know about reading processes in order to design joyful reading experiences’. Initially developed as her bachelor’s thesis and published by Hermann Schmidt Verlag in 2017, it’s now considered a standard work.

Continuing her masters studies with Veljović, Antonia delved deeper into legible type design. Along with designing a typeface super family, she carried out an empirical legibility study comparing the reading speed of it and other typefaces in running text. A Master of Arts since 2017, Antonia has been honoured for her outstanding research-based type design work. Antonia’s professional work is characterised by her inquisitiveness and commitment to research, her attention to detail and love for complex design concepts. Alongside her own projects and amongst other clients, she supports Albert-Jan Pool in the further development of the FF DIN family.

Antonia enjoys sharing her knowledge. She teaches type design at Muthesius University of Fine Arts and Design in Kiel, gives workshops and lectures, publishes articles and consults on issues of legibility and readability.

TypeMates

TypeMates: a straightforward font foundry.

For years, we — Jakob, Lisa and Nils — have been passionate about type and in 2015 we started working together, from our offices in Munich and Hamburg, as a type foundry.

We don’t believe that typefaces are neutral or purely functional systems for reading, rather that they are a visual language with emotional values. Our aim is to be straightforward in the complex field of type design. We do not want to hype or praise type too much, we want to work together with our clients and partners to deliver good results.

Our practice covers everything, from the tiniest nuance in a logo or piece of lettering to the design of extensive type systems. And whether it’s a beautiful idea, a complex client project with intense technical demands, or we’re just following our investigative TypeMate’s nose — we’re passionate about well-made letterforms delivered to the highest technical standard.

Whether it’s Die Zeit online, Fast Company, Red Bull TV or Lufthansa Magazine, typefaces we designed are used by magazines, newspapers and corporations who set the bar for design.

Jakob Runge

From 2009 Jakob Runge has been fired by letters and type systems. After studying communication design at the University of applied sciences in Würzburg (BA) and then at Muthesius Academy of Fine Arts and Design in Kiel (MA), his master’s project was published as FF Franziska in 2014, and became a successful textface at FontFont.

A new dad, he works in Munich as an independent type and brand designer who specialises in developing typefaces and custom lettering for corporate and editorial design.

Alongside working in the design industry, Jakob is active in typographic education. Along with running numerous workshops at universities in Germany, Switzerland and Austria, he has been a lecturer for typography and type design at FH Münster from 2011. For him, type design is more than the foundation of precise and coherent communication: it’s a passion. twitter, website

Seryozha Rasskazov

Born in Ukraine and based in Switzerland, Seryozha is an experimental type designer with a background in branding, editorial and sign painting. He holds a Master’s degree in Type Design from the ECAL. Recipient of the Ascenders 2023 award from the Type Directors Club and twice Merit from the Gerard Unger Scholarship. In type design, he works on both Cyrillic and Latin. Right now he is filming a documentary about experimental type and producing an annual antiwar New Year concert Peaceful Lights.

George Triantafyllakos

George is based in Thessaloniki, Greece. He holds a Ph.D in Computer Science. George works as a type and graphic designer, as well as a web designer and developer. George started showcasing his work along with releasing free typefaces on backpacker.gr in 2006. In September 2015, he started the Atypical type foundry. He has designed typefaces for the Greek Font Society, collaborated with several type foundries in expanding Latin typefaces with the Greek script, and has worked with a number of design studios to design bespoke typefaces for brands and design campaigns.

In October 2019, George was awarded at the Granshan Type Design Competition for the design of the Dolce Noir type family, while in April 2022, the Miasma Sharp typeface was awarded a Special Mention in the same competition.

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