Qommodore is a typeface better left uncategorized, being an amalgam of entirely different constructs to achieve a new and experimental texture. Born out of the creative encounter between Hugues Gentile and Jean-Baptiste Levée, Qommodore is the merger of their common interest for monospaced serif. Even its name introduces a wholly twisted operation that challenges convention at every turn.
Qommodore is a high-contrast serif, drawn with the construction of 19th-century display types. But its proportions are monospace, forcing many of the natural widths of calligraphy, and the 19th century, out of the equation.
Like most high-contrast serifs, Qommodore gains weight only in its thick strokes, and the hairlines stay hairlines throughout. Breaking with convention, for example, the typeface comprises six weights, beginning with a skeleton frame in ExtraLight that will feel wider than its bolder weights simply because the thicker strokes aren’t prevalent. In ExtraBold, Qommodore is practically egregious in its contrast; because the font is monospace, the thick strokes borrow from the interior space, creating a dramatic and glitchy texture.
All-capital titles will set beautifully as small as 60pt in ExtraLight and set a more traditional tone, with a narrow letter-fit and modern classic details. As you increase the weight, increase the scale, and drop the character
That’s precisely the opportunity this typeface invites designers
Buy Qommodore
from $105 on type.today
Buy Qommodore
from $105 on type.today
Qommodore was created by Hugues Gentile, a senior type designer at Production Type and a graduate of École Estienne and EsadType. When working on the Cyrillic alphabet, Hugues consulted with Ilya Ruderman and Yuri Ostromentsky.