Typefaces of September, as chosen by TypeCache
Every day, Taro Yumiba, Akira Yoshino, Shohei Itoh of TypeCache.com inform their followers of new typefaces released all over the world. Here’s their list of essential font releases this September:
![Auguste] Auguste Sans/Serif, published by Colophon Foundry. Pick by Taro Yumiba Cardone, published by 205TF. Pick by Akira Yoshino Civil, published by Superior Type. Pick by Shohei Itoh Epicene, published by Klim Type Foundry. Pick by Shohei Itoh Gaya, published by Out of the Dark. Pick by Taro Yumiba GT Ultra published by Grilli Type. Pick by Akira Yoshino Kadabra, published by Victoria Rushton. Pick by Akira Yoshino Plage, published by Lift Type. Pick by Taro Yumiba Smoosh, published by Type Supply. Pick by Akira Yoshino Smoosh Bits, published by Type Supply. Pick by Taro Yumiba
A sans-turning-serif for hardcore punk album covers
Grilli Type have released another variable superfamily. On the one hand, Ultra has grown out of the canonical humanist sans (think Gill or Johnston), while on the other — out of the fine-cut fat serifs in the Photo-Lettering Inc. catalogue. That said, the sans part of the family is more calligraphic, while the serif part is more mechanistic than the above mentioned specimen. As its name implies, Ultra is particularly fancy in ultra bold styles — in which there are no italics and barely any serifs, yet the change in contrast is eloquent.
Retrofuturism by Lineto
A new collection of Lineto typefaces is a tribute to industrial, futuristic, early digital modernism of the late 20th century. You will see an angular variable typeface inspired by road services’ lettering (Pirelli), a modular worm-like typeface (Rephlex), a vague pixel typeface with round elements (Moonbase), a dotted typeface with fascinating modulation (DMT), and a typeface based on a lettering from the Chernobyl Nuclear Power Plant (Atomgrad, with Cyrillic designed by Yevgeniy Anfalov and Viktoriya Grabowska). Take a look at an incredible animated presentation on the Lineto homepage.
Monotype acquired Hoefler&Co
Monotype Imaging Holdings Inc. (owned by the HGGC private equity firm) has purchased yet another large independent type foundry (the full list of the acquisitions is available on Wikipedia). Hoefler&Co was founded by Jonathan Hoefler in 1989, and since then the foundry released hundreds of typefaces, carried out projects commissioned by Barack Obama and Joe Biden, made it to MacOS with Hoefler Text — and accomplished many other impressive things. The price is undisclosed, but Hoefler announced he is leaving the company and has no plans for further work (at least, for now). In 2019, Hoefler starred in a separate episode of the documentary Abstract: The Art of Design — a really interesting, detailed and beautiful piece.
Halunke for El Clásico
El Clásico is a derby between FC Barcelona and Real Madrid, the key match of the Spanish football league. This year, the match will be played on 24 October, and it now has its own identity — based on the Halunke typeface from our tomorrow’s catalogue. In September, El Clásico guerrilla promo campaign — an emblem made of several Halunke glyphs appeared on unattended walls all over the world — won the Sports Industry Awards. The identity was developed by Vasava agency; Elena Schneider has slightly modified the typeface especially for the project.
Counterforms, boldness, kerning & tracking
Riley Cran (Lettermatic) posted three very informative Twitter treads on the counterforms (negative spaces), special nature of designing bold styles, and letter spacing (kerning and tracking). Brief, simple, illustrated — a great self-education material. P. S. Last month, Lettermatic released a large piece on creating a typeface for the Psychonauts 2 videogame — which is also an absolute must-read.
Zloy typeface by Daria Petrova (mentioned in our previous digest) is now available on our tomorrow storefront; as usual, you can get a trial version for free.
Lectures and talks by Denis Masharov
Denis Masharov (1973–2021) was known as one of the best speakers on type and typography in Russian language, always interesting and enthusiastic, often outspoken. Letterhead Studio have brought together a playlist of lectures and talks by Denis on YouTube (including three recently uploaded by Sergey Rasskazov), while Bang Bang Education is now offering a free access to Denis’ online course (you will need to register on the website to see it).
The message to Ukraine
In August, Obys Agency issued a zine to celebrate 30 years of Ukraine’s independence, and in September it won the Awwwards Site of the Day. An elaborate grid and animation, reserved colours, simple (yet expressive) typography, and a list of Ukrainian design studios — all of it really deserves your attention.
Typeface and logo for VkussVill
VkusVill (a popular Russian grocery chain, which recently suffered a significant PR blow) presented their new identity developed at Linii Group. The new logo and bespoke typeface named Villula were designed by Yury Gordon within the ridiculously fast five days (even if based on the already existing Lineatura). The distinctive feature of Villula, which is also present in the logo, is multi-width alternates, thanks to which the typeface works great both in large and small texts (yet becomes a bit noisy at medium sizes).
Several things about Japanese typography
Émilie Rigaud (who releases typefaces under the brand A is For Fonts) is writing her PHD thesis on Japanese typography and previews her research on her blog. Previous episodes spoke about the Japanese printing pioneer Motogi Shozho and heterogeneity of Japanese typesetting (it utilizes characters of five writing systems) — and in the new episode, Émilie shares insights about six styles of traditional Japanese lettering, edo moji. Useful, interesting, and a rare read — considering how scarce materials on Japanese typography are in languages other than Japanese.
How ham and cheese spawned hard-cover books
@Incunabula posted a huge Twitter thread about the roles of cheesemaking, sea snails, underwear, and glasses in European book printing. A truly fascinating popular history piece — and an important reminder of how design depends on economy.
Unified Text Engine in Photoshop
Adobe Photoshop beta version introduced the Unified Text Engine — instead of separate software components for different scripts (such as Latin or Arabic). Developers are seeking feedback on the experience mixing various different scripts, using multiple non-Latin features, and right-to-left text positioning.