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April 2021, Type Digest

Choosing new default type for Microsoft, admiring Japan-inspired sans serif, learning about inktraps, Garamond and Granjon

May 4, 2021

Typefaces of April as chosen by TypeCache

Akira Yoshino, Taro Yumiba, and Shohei Itoh keep a daily record of new type releases on TypeCache.com. Here are their favourite typefaces this March.

vox

Vox minus ATypI

atypi.org/atypi-de-adopts-vox-atypi-typeface-classification

Association Typographique Internationale drops the classification of typefaces known as Vox-ATypI. This system was devised by a French typographer Maximilien Vox in 1957 and adopted by ATypl four years later. Vox-ATypl has been criticized for putting emphasis on text typefaces and Latin script — also, for obvious reasons, the classification leaves no place for lots of typefaces developed in the digital era. Now ATypl explores the possibility of creating and introducing a new, modern technology and local specifics -relevant system.

indes

InDesign meets optical sizes

helpx.adobe.com/indesign/user-guide.html/in/indesign/using/using-fonts.ug.html#automap/

From now on, InDesign offers a default bind of optical size to font size — if you set in a variable font with this axis, it will automatically define contrast, level of detail, and side bearings. Since it is unlikely to work perfectly, you can disable this behaviour by going to Type in General Settings.

bibl

Bibliotekus

bibliotekus.artlebedev.ru

Russian designer Artemy Lebedev scanned his personal library of books and other materials on type and typography — historical documents, designs, standards, critique and research, not just in Russian. Not irreproachable from a copyright perspective, but extremely entertaining.

loreal

Royale et Essentiele

instagram.com/p/CN-KJv_B7Oc/
futurebrand.com/our-work/loreal/

Marko Hrastovec (Hot Type) and Elliot Amblard designed a pair of custom typefaces for L’Oreal group — a sharp, but delicate Granjon serif and a slightly art-nouveau geometric sans. The typefaces are embedded into the brand’s new graphic system designed at FutureBrand agency.

brief

Matchmaking service for those looking for typefaces

fontbrief.com

If a font has a character, it means you can create a tool for finding a font by defining certain parameters — this was the working assumption for the Font Brief project. Currently, the service offers more than 360 typefaces which can be filtered by choosing a point on eight axes: for example, neutral-expressive, technic-organic, serious-friendly, cold-warm. You won’t necessarily get what you implied, but definitely will see something interesting — including fonts from our catalogue.

rel

Our releases

https://type.today/ru/journal/codelia
https://type.today/ru/journal/norbert
https://type.today/ru/journal/loos

This month we released many new typefaces. First, Codelia — a monowidth typeface for coders who got tired of discipline. Secondly, Norbert — an unexpected alternative to the overly popular Druk. Thirdly, Loos: a multi-skilled sans serif, combining rigour with delicacy, — much anticipated release from CSTM Fonts.

auc

Letterform Archive is having an auction

letterformarchive.org/news/view/auction/
catalogue.swanngalleries.com/auction-catalogs/SELECTIONS-FROM-LETTERFORM-ARCHIVE?saleno=2567/

In case you have long been willing to support historians of typography and get a piece of history for personal use, now is the time. Letterform Archive brings to the hammer 153 items from their collection, mostly artifacts of the 20th century, the most famous designers and typefaces. The auction will take place on 12 May, lowest starting prices are $100.

maru

( ° ∀ ° )ノ゙

gt-maru.com

A new typeface from Grilli Type grew from street signage that Thierry Blancpain saw in Japan. Rounded contrastless strokes appear to be drawn by brush, while ascenders and descenders are as concise as possible — this is how Japanese, accustomed to monowidth type, perceive Latin script. GT Maru has a monowidth sub-family and a super-tubby display version called Mega — including borders and decorative glints. And, of course, emoji — those were designed by Anya Danilova who happens to be the author of our Manual. The sticker pack with these emoji is available on AppStore as a free download.

play

The new edition of Playfaces

instagram.com/p/CNw_mTQhrHd/
playtype.kiosk.works/menu/

Play Faces is an educational community of designers, challenging the idea that type is something inaccessible, long, complicated, and technically faultless. In April, the suburban office of DesignWorkout near Moscow hosted an intensive course PlayType Pro for designers creating their first typeface using a modular grid. You can check works of this course participants on Instagram, most likely they will soon be available on kiosk.works.

glob

Globs Designer, an experimental type editor

globs.design

Bézier curves used in most vector graphics were invented in the 1960s for designing bodywork of Renault cars. They constitute typefaces in TrueType and OpenType formats, but not all designers are happy about it — it is criticized by both those who are good at maths and those who rely exclusively on their (poorly articulated) intuitive feelings. Designer and coder Steve Ruiz suggests an alternative vision of vector designing — in his editor, forms consist of globs and nodes. That is an elegant and intuitive workflow, however not good for all type styles — on the other hand, it carries the potential for emerging of something that we have so far not seen.

imm

Duchamps, theory of humors, Renaissance, Baroque, Dürer

cltn.fr/texts/immortel/

Clément Le Tulle-Neyret tells the story of how he was developing four serif sisters Immortel — an incredibly interesting text that helps figure out what is the difference between Garamond and Granjon, shows how modern text typefaces inherit from Cicero edition of 1569, and answers plenty of other typography questions that you haven’t even been thinking of asking.

ink

Toshi Omagari on ink traps

tosche.net/blog/ink-traps-and-pals/

Toshi Omagari, the expert on monowidth type and author of our new release, Codelia, is speaking about optical compensation — mostly associated with ink traps and different variants of detailing (optical sizes), but used in all sorts of cases and on all sorts of media. Усы на наклейки для фотонабора, притупленные acute angles in vector fonts, black traps for analogue television, but also deep indentations and entasis as a part of initial plan — the latter currently being extremely trending (see Loos, another one of our April releases).

calibri

Microsoft asking for help in finding a replacement for Calibri

twitter.com/Microsoft/status/138742136858145587/
microsoft.com/en-us/microsoft-365/blog/2021/04/28/beyond-calibri-finding-microsofts-next-default-font/

Microsoft will replace Calibri as a default font in Word and other applications — it has been occupying thу post since 2007. They will choose one of five sans serifs based on social media feedback — neo, two humanist ones, geometric, and mechanistic. Detailed specimens were not provided, so users will have to try typefaces themselves — those are already available by Microsoft 365 subscription.

In April, our Instagram was run by Vlad Boyko

Thank you for the deep dive into botany and ecology! In May, our account belongs to Denis Bashev.