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12 styles,
2014

Parmigiano Collection

Parmigiano Piccolo Pro

Typotheque, Jonathan Pierini, Riccardo Olocco, Ilya Ruderman, Irina Smirnova (cyr), Irene Vlachou (greek)

  • Desktop
    $740
  • Web
    $740
  • App
    $1,475
48px
Parmigiano Piccolo Pro ThinParmigiano Piccolo Pro Thin
  • Desktop
    $138
  • Web
    $138
  • App
    $276
48px
Parmigiano Piccolo Pro Thin ItalicParmigiano Piccolo Pro Thin Italic
  • Desktop
    $138
  • Web
    $138
  • App
    $276
48px
Parmigiano Piccolo Pro LightParmigiano Piccolo Pro Light
  • Desktop
    $138
  • Web
    $138
  • App
    $276
48px
Parmigiano Piccolo Pro Light ItalicParmigiano Piccolo Pro Light Italic
  • Desktop
    $138
  • Web
    $138
  • App
    $276
48px
Parmigiano Piccolo Pro RegularParmigiano Piccolo Pro Regular
  • Desktop
    $138
  • Web
    $138
  • App
    $276
48px
Parmigiano Piccolo Pro Regular ItalicParmigiano Piccolo Pro Regular Italic
  • Desktop
    $138
  • Web
    $138
  • App
    $276
48px
Parmigiano Piccolo Pro MediumParmigiano Piccolo Pro Medium
  • Desktop
    $138
  • Web
    $138
  • App
    $276
48px
Parmigiano Piccolo Pro Medium ItalicParmigiano Piccolo Pro Medium Italic
  • Desktop
    $138
  • Web
    $138
  • App
    $276
48px
Parmigiano Piccolo Pro BoldParmigiano Piccolo Pro Bold
  • Desktop
    $138
  • Web
    $138
  • App
    $276
48px
Parmigiano Piccolo Pro Bold ItalicParmigiano Piccolo Pro Bold Italic
  • Desktop
    $138
  • Web
    $138
  • App
    $276
48px
Parmigiano Piccolo Pro BlackParmigiano Piccolo Pro Black
  • Desktop
    $138
  • Web
    $138
  • App
    $276
48px
Parmigiano Piccolo Pro Black ItalicParmigiano Piccolo Pro Black Italic
  • Desktop
    $138
  • Web
    $138
  • App
    $276
About

Parmigiano Typographic System (named after Parma, the city where Bodoni established his printing house) has the stated ambition to be the most extensive family of fonts ever to have been inspired by Giambattista Bodoni. Parmigiano Text has a delicacy which contrasts with the Piccolo version and it is more solid than the Headline cut. Highly versatile, it is an ideal choice for setting magazines, books or any other long texts whose contents need to be easily accessible. Designed for smooth readability, its sharp and elegant letterforms make for a comfortable, relaxed reading experience, while its thin, horizontal serifs, vertical axes and the round terminations on certain lowercase letters give it a thoroughly contemporary feel. Compared with the continuous text typefaces cut by Bodoni himself, Parmigiano Text has a higher contrast and a less eccentric structure. While it retains a certain distinction, eye-catching details more suited for display purposes have been softened in order to offer a more neutral effect, making it the easiest to use of the Parmigiano fonts. It is recommended for use in sizes 10 points or larger; sizes smaller than 10 points are adeptly handled by Parmigiano Caption, which was designed for this purpose. The Parmigiano Type Family family was published in 2014, designed by Riccardo Olocco and Jonathan Pierini. The Cyrillic version was designed by Ilya Ruderman and Irina Smirnova. The Greek version was designed by Irene Vlachou, in 2015.

Languages

Afrikaans, Albanian, Azeri (cyr), Azeri (lat), Bashkir, Belarusian, Bulgarian, Catalan, Chechen, Chuvash, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Finnish, French, Gaelic (Irish), Galician, German, Hungarian, Icelandic, Ingush, Italian, Kazakh, Kurdish (lat), Kyrghiz, Latvian, Lithuanian, Moldavian (cyr), Mongolian (cyr), Mongolian (lat), Norwegian, Polish, Portuguese, Romanian, Russian, Serbian, Slovak, Slovene, Spain, Swedish, Tadzhik, Tatar, Turkish, Turkmen, Udmurt, Ukrainian, Uzbek (lat)

Authors

Typotheque

Typotheque is a type foundry and design studio run by Johanna & Peter Biľak, and Nikola Djurek. Typotheque is a type foundry based in The Hague, the Netherlands, developing and marketing original fonts for Mac and PC. Its commitment is to continue the traditions of independent type foundries, contributing its tiny bit to the continuous sequence of type history, creating quality typefaces of its time and needs. Typotheque’s focus on extended language support has driven the development of fonts that support not only most Latin-based languages, but also those based on Greek, Cyrillic, Arabic, Armenian and Devanagari scripts.

Jonathan Pierini

Jonathan Pierini is a graphic and type designer. He studied graphic design and visual communication at ISIA (Istituto Superiore per le Industrie Artistiche) in Urbino and later earned an MA in Type Design and Media studies at the Royal Academy of Art (KABK) in The Hague. He is currently working at the Free University of Bolzano (Faculty of Design and Art) as a researcher and lecturer in graphic design. His research projects focus on the relationship between written communication and inhabited spaces.

Riccardo Olocco

Riccardo Olocco is a type designer. Prior to a four-year stint as a lecturer in typography at the Faculty of Design and Art of the Free University of Bolzano he freelanced as a graphic designer in Milan and elsewhere in northern Italy. He is currently studying in the masters program in Typeface Design at the University of Reading. Riccardo also writes on type design and type history. In addition to his ongoing investigation into Francesco Griffo’s roman types, the research he is now doing with James Clough on Bodoni’s types should be published by Codex in 2016. Along with other Italian type designers Riccardo has recently launched the foundry CAST (Cooperativa Anonima Servizi Tipografici).

Ilya Ruderman

Ilya Ruderman, a type and graphic designer and teacher, lives and works in Moscow. He is a graduate of the Moscow State University of the Printing Arts (2002), where his graduation project was done under the supervision of Alexander Tarbeev. He has a MA degree in type design from the Type & Media program at the Royal Academy of Art in the Hague (2005). After completing the program, he returned to Moscow, where he has collaborated for a number of media: Kommersant, Afisha, Moskovskiye Novosti, Bolshoi Gorod and Men’s Health Russia. In 2005-2007 he was art director for Afisha’s city guidebooks, following which he was art director for RIA-Novosti, a news agency, for several years. Since 2007 he has also supervised the curriculum in type and typography at the British Higher School of Art and Design in Moscow. He has been very active as a consultant on Cyrillic since 2008. In 2014 he founded CSTM Fonts with Yury Ostromentsky.

Typefaces by Ilya Ruderman: BigCity Grotesque Pro, Kazimir, Permian (a typeface-brand for the city of Perm) and Cyrillic versions of: Austin, Dala Floda, Graphik, Marlene, Moscow Sans (as a consultant), Typonine Sans, Thema.

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